A river runs through the town of Beckford and within that river, there’s The Drowning Pool. The pool lives up to its bleak name when a mother and a teenage girl are both found dead within the water’s depths one summer. There’s a large cliff above that leads to the question: Did they jump? Paula Hawkins’ latest release, Into The Water, shares the story of the women who’ve been lost to The Drowning Pool.
When Nel Abbott died, her daughter is left alone in a large creaking house with an estranged aunt who she’s never met. It turns out that Beckford, like many small towns, is filled with underlying connections and affairs. Throughout the book it seemed like half the town was looking for answers as to how these women died while the other half was keeping secrets.
My feelings about Into The Water are mixed. On the one hand, I was fascinated (and horrified) by the idea of The Drowning Pool and the myths that it’s a place where “troublemakers” are “taken care of.” The writing was infectious and I didn’t want to put the book down (similarly to Hawkins’ previous book, The Girl on the Train). On the other hand, the book is told from at least 10 different perspectives and all of the switching back and forth between characters took away from the depth of the story. I was lucky enough to attend an author event with Paula Hawkins a couple weeks ago and these alternating perspectives was an aspect of the book that she experimented with while writing.
Overall, I recommend reading Into The Water, but I also recommend having a pen and paper handy in order to jot down quick notes of each of the characters mentioned.
“Beckford is not a suicide spot. Beckford is a place to get rid of troublesome women.”
“It must take a strange sense of entitlement, I would have thought, to take someone else’s tragedy like that and write it as though it belonged to you.”